Canto VI

Back to the basement, dungeon if you will,
the underworld for novices and hacks—
the quasi byrons, preening, on the pull;

The iphone thoughts of hip insomniacs;
the Speaker’s Corner residents to come;
denied requests for CD backing tracks;

the poverty tourists recall the slums
that bolstered their nobility of soul,
their bank account’s bolstered by Dad and Mum.

And reader, I have played each of those roles
they’re ain’t a cliche that I haven’t used—
the urban griot, bigging up the proles,

the fake-kowski laments for girls and booze.
But when I glimpse the upper echelons,
the free wine at the la de da venues

occasionaly breakthroughs of the “unknowns”
that write just like the orthodox elite.
The boys club rules for style are set in stone.

I race back to that basement in Betterton Street,
to welcome in the city gent and wino
for while the Paradiso’s lines are sweet

I get my kicks from reading the Inferno.

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1 Comment (+add yours?)

  1. peter litton
    Nov 25, 2011 @ 01:25:08

    Dante references are always just below the surface…
    But I think this “Mundane Comedy” is far superior to the “Divine Comedy” which I find mind blowingly tedious.

    Reply

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